Please activate JavaScript!
Please install Adobe Flash Player, click here for download

2016-08_dc

D+C e-Paper August 2016 5 Fighting outdated traditions The movie “Difret” by Ethiopian director Zeresenay Berhane Mehari bridges the divide between traditional rural worldviews and modern Ethiopia. It offers insights into a culture that the western public normally does not get. By Dagmar Wolf Hirut, a 14-year old girl, is proud of the report card she has just been given. The teacher even praised her in class. As she is happily running home, she suddenly hears hoofbeats. Armed men on horseback surround her – and then abduct her. The report card ends up in the dust. Hirut is locked up in a cabin where one of the kidnappers rapes her. According to a tradition called “telefa”, such violence goes unpunished if the man later mar- ries his victim. Telefa has officially been declared illegal, but is still quite common in rural areas. Hirut manages to escape and takes along her tormentor’s rifle. He runs after her, and she shoots him. As result, she is accused of murder and is likely to be sen- tenced to death. Meaza Ashenafi, a lawyer, volun- teers to defend Hirut in court. She leads Andenet, a non-governmental organisa- tion that promotes women’s and chil- dren’s rights. The film is not an emotional court drama, however, but takes a close look at the social context in a very sensi- tive manner. The gaps between rural and urban life are huge. In Addis Ababa, the capital city, professionals use computers and telephones, but time seems to stand still in what looks like Arcadian villages. In the villages, the judges of the state court matter less than the council of elders. When Hirut’s father speaks in defence of his daughter before the coun- cil, men from the village praise tradition and insult the local teachers whom they blame of instilling the wrong values in the young generation. The elders decide that Hirut’s father must pay her kidnapper’s father a compensation and that the girl may not return to live in the village. The only upside is that they do not demand her death. In the meantime, the lawyer gets Hirut into an urban orphanage. For a while, the very existence of her NGO is at risk. The reason is that Meaza decides to take a gov- ernment minister to court, arguing that Hirut is in trouble because the administra- tion he leads is not enforcing the law. In response, the government first suspends her NGO’s licence, but then surprisingly renews it. In the end, the court that tries Hirut finds her not guilty. The media cover the event – and radio news is particularly important in the villages. It is not a perfect happy ending, because the teenager’s life has been uprooted for ever. Difret ist based on a real case that set the precedent of telefa definitely being ille- gal in 1996. This was an important turn- ing point in terms of rural women’s rights. The punishment for telefa can be 15 years of prison – or more. Nonetheless, the tra- dition is still alive in some remote rural areas even today. Accordingly, the director wants to con- vince and enlighten Ethiopians. He treats all of the film’s characters with equal respect. They state clearly what they think is right – and why they think so. The film does not use artistic ambiguity. Its focus is on unambiguous debate and comprehen- sive discourse. Zeresenay went to film school in Los Angeles, but he does not indulge in Hol- lywood effects and does not use sensa- tionalist scenes. He is not keen on breath- taking suspense, but rather wants to raise awareness. Therefore, the film’s original language is Amharic rather than English. It certainly helped to attract international attention, however, that Hollywood star Angelina Jolie was the movie’s executive producer. The Ethiopian government supported the production of Difret too. Unfortunately, there is reason to doubt that the Ethio- pian state would still be prepared to back- track in confrontation with an assertive NGO activist the way it did in the case of Andenet. The same party is still in power, but it’s attitude is becoming ever more authoritarian. If it decides to close down an NGO these days, it seems unlikely that it might reconsider and allow the NGO to carry on afterwards. Film Difret, 2014, Ethiopia, director: Zeresenay Berhane Mehari Hirut wants to finish school in order to go to college. AlamodeFilm Recommended movies D+C e-Paper August 20165

Seitenübersicht